LE MEILLEUR CôTé DE LULU CHU

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"[83] In his negative review, Justin Chang from the Los Angeles Times stated that the cinéma "isn't really about Marilyn Monroe. It's about making her suffer."[84] He also opined that the film "turns Marilyn Monroe into an avatar of suffering, dwelling je her Flûte so obsessively that even the cinéma's fleeting soudain of empathy feel like anoth